Skip to main content

Joe Pug
free show

Categorized as: Nightlife & Entertainment
Event tags: music, Pappy's


For the moment, Joe Pug has it figured out, career if not life: Just

write the songs that have to be written, play them for anybody who will

listen, tour as if you had no home. Oh, and give your music away. Which

isn’t to say he won’t be selling his debut full-length offering,

Messenger ( Released 2/16/2010 on Lightning Rod). But free is how he

came to make it, more or less.

It worked like this, for

Joe Pug anyhow: The day before his senior year as a playwright student

at the University of North Carolina, he sat down for a cup of coffee and

had the clearest thought of his life: I am profoundly unhappy here.

Then came the second clearest.

Pug packed up his belongings and

pointed his car towards Chicago. Working as a carpenter by day, the 23

year-old Pug spent nights playing the guitar he hadn’t picked up since

his teenage years. Using ideas originally slated for a play he was

writing called “Austin Fish,” Pug began creating the sublime lyrical

arrangements that would become the Nation of Heat EP.

The songs

were recorded fast and fervently at a Chicago studio where a friend

snuck him in to late night slots other musicians had canceled. He was

short on money, but his bare-boned sincerity didn’t require much more

than a microphone and it dripped off of each note he sang.


early rumblings of critical praise for the EP were confirmed when his

first headlining gig sold out Chicago’s storied Schubas Tavern in 2008.

As word spread, Pug struck upon an idea that would later prove to be one

of the most significant in his young career. He offered his existing

fans unlimited copies of a free 2-song sampler CD to pass along to their

friends. He sent the CDs out at his own expense, even covering the

postage. Inside each package was a personal note thanking the fan for

helping to spread the word. The response was overwhelming, and to date

he has sent out over 15,000 CDs to 50 states and 14 different countries.

Without access to radio, Pug managed to turn his fans into his very own

broadcast system. The offer still stands, and to this day it’s featured

prominently on

“Look, in the end, I just trust my fans, and the nature of people in

general. I need to pay my bills like anyone else does. But I also don’t

think it’s right to ask someone to pay $15 when they don’t know what

they’re getting. So in a way by sending out these CDs, I’m wagering that

they’ll like my music, and that if they do they’ll come to shows, buy

CDs, and help me spread the word even further. And so far I’ve been

proven right. Without question, the more sampler CDs I send out, the

more music I sell.”

Nation of Heat took on a life of its own,

passing from friend to friend and iPod to iPod. The crowds swelled and

the media took notice. Tours with Steve Earle, M. Ward, and Josh Ritter

followed, as did invitations to Lollapalooza and the Newport Folk

Festival. He crisscrossed the country incessantly, traveling mostly

alone in his 1995 Plymouth Voyager with no stereo or air conditioning.

As the tours went on, he became closely linked to the burgeoning

indie-folk scene that was coalescing loosely around Pug and his young

contemporaries in bands such as The Low Anthem, Langhorne Slim, and

Horse Feathers.

After over 200 shows, Pug took a brief respite

to record his full-length debut. If Nation of Heat heralded the arrival

of a talent to watch, Messenger assigns Pug a deserved spot among the

finest songwriters of his generation. From the opening notes of the

title track that leads off the record, it’s clear that the artist has no

intention of retreating to the comfortable or the familiar. While the

scathing war indictment “Bury Me Far (From My Uniform)” and the sparse,

poetic “Unsophisticated Heart” illustrate that Pug is still a master of

the guy-and-guitar song, it’s the supporting cast Pug brought on board

that truly brings out the record’s subtle beauty.

From the

haunting, ethereal pedal steel guitar that sneaks delicately under “The

Sharpest Crown” to the barrelhouse rhythm section that propels “The Door

Is Always Open”, it’s clear that Pug is as comfortable exploring this

new territory as he is solo. “The first record, it was a breeze,” he

says. “Didn’t even know we were making it, just me and a guitar…the

songs completely unadorned. This one, it’s like that thing where there’s

an explosion and you realize how many options there are in the world.”